6/16/2012

《不同面向》- 2012 第四屆國際當代攝影節

“Другое измерение - 2012” 4-й Международный фестиваль современной фотографии

已於20125月在俄羅斯的新西伯利亞州立美術館(Novosibirsk State Art Museum)展開。今年有來自世界各地52位藝術家的參與,共344件作品展出其中來自台灣的藝術家有三位包括汪曉青/Annie Hsiao-Ching Wang、陳伯義/Po-I Chen 、萬一一/YiYi Wan(榮獲台北市文化局外交部出訪贊助)

展覽時間:俄羅斯新西伯利亞州立美術館
展覽地點:2012/5/17– 6/17

藝術總監及策展人(莫斯科當代藝術雙年展總監)
安德烈·諾夫/Andrey Martynov
台灣策展人羅惠瑜/Hui-Yu Lo

母親如同創造者__汪曉青
從懷孕那年開始,每約隔一年左右,我會在上一次我與我的兒子正式家庭照前拍下我倆的新合照。因此,在時間的推動下,不同年代、不同樣貌的我與我的兒子齊一湧現的在同一個平面上。由此,不同年代的我與兒子及我們所共同創作的母子圖,被壓縮在一個奇異空間內不斷地對話,而呈現出複雜、瑣碎且多采多姿的真實記錄。
這般不斷地創造與自我再現的時光隧道式的視覺在現,不但已層層記錄下十年來平易的堅持與累積,也讓我們彼此的成長輕易地對照出來。最重要的是,如此複數多元的女性自我再現概念將計畫持續下去,用生命與時間去挑戰傳統那種單一且固定的刻板母親形象。

石人__陳伯義
這組作品是我在2004年的一個小品,當初不過想試試發展成插圖的可能性。但是歷經多次造訪這些石堆與鳥屎,我看到了一個個人形似乎如同小王子般在星際間流浪與探詢。這讓我想起他的玫瑰與羊,或許我可以讓石頭上的形體轉化成詩,但是我更希望他可以如同「第一號作品」,帶著想像與真誠去四處流浪。

壓抑與釋放__萬一一
以針孔相機所製造的影像結合熟悉物件與身體空間的關係,將性別政治議題藉由象徵、隱喻、加上一點幽默感做轉換再現。


NSAM Novosibirsk State Art Museum in Russia
Krasny Prospekt, 5
www.nsartmuseum.ru

6/09/2012

<圍島>-黃郁涵個展

Surrounded Islands Solo exhibition by Yu-Hang Huang

展期:2012/6/9-6/30
開幕茶會:2012/6/9(), 2:30pm
開放時間:週四-週六, 2-6pm 
地點:女藝會WAA藝響空間
台北市北投區自強街616(捷運淡水線石牌站2號出口步行約8分鐘)
電話:02-2821-8827 


藝術家黃郁涵將於69630日,在台灣女性藝術協會藝響空間發表最新創作個展<圍島>
此次展出的三件新作是藝術家自2010年回台後,有感於台灣島內的模糊認同及焦慮現況,藉由不同的角度探究個人生命狀態與社會之間的對話。
延續之前的創作手法,藝術家融合建築形式與人體元素來表達後現代文化中的混雜認同,及個人與社會之間脆弱矛盾的相依關係。
她以重新觀察台灣社會為起點,嘗試多元的創作媒材並試圖創造出新的藝術語彙。
歡迎蒞臨參觀

6/06/2012

4th 'Different Dimension–2012 International Festival of Contemporary Photography'

Date5/17/2012-6/17/2012
VenueNSAM Novosibirsk State Art Museum in Russia
Krasny Prospekt, 5
www.nsartmuseum.ru
opening hours
Tue-Fri 11-19  Sat, Sun 13-19

Art DirectorAndrey Martynov
Taiwan curated by Hui-Yu Lo

Three Taiwan artists’ pieces are presented at Novosibirsk State Art Museum~
Annie Hsiao-Ching Wang
Po-I Chen
YiYi Wan (Grantee of Taipei City Department of Cultural Affairs
Ministry of Foreign Affairs Republic of China/TAIWAN)

The Mother as a Creator    by Annie Hsiao-Ching Wang
Here I take a family photograph each year of my son and myself, and then the next year, take another image of us in front of the previous picture. Therefore, different layers of my son and I emerge on the same surface after a lengthy accumulation of detail and texture. Different stages of my son and I are overlaid; and from the different pictures we have created dialogue with each other in this dimension upon compressed dimension. From within these dimensions will emerge a new depiction/visualization of Motherhood.

This time-tunnel artwork has recorded my different experience of Motherhood and the relationship between my son and I for ten years. By doing so, it is easy to compare and observe our growth and development. The most important is that these representations will keep going to use our life and time to undermine the inflexible and stereotypical conventions of Motherhood which in their idealizations seek to allow only a single shallow plane of experience.

Stone Age   by Chen Po-I
Complete in 2004, Stone Age was a series of snapshots which were intended to experiment on the possibilities of picturesque photography. Between stones and birds’ droppings thereof, I saw several make-believe images of little prince travelling through different planets. These images reminded me of little prince’s rose and sheep and made me want to transform them with some poetic implications. I would like them to be like ‘Drawing Number One’ that traveled with imagination and sincerity.

Repression & Release   by YiYi Wan
The image from pinhole camera combines the daily materials and bodily space in order to invent a relationship which aims to represent the issue of gender politics by symbolizing, making the metaphor and adding some senses of humor.