展覽時間：2014/5/5~2014/5/22 週一至週五
8:00am~17:00pm
開幕時間：2014/5/6(二) 18:40pm
講座時間：2014/5/6(二) 19:30pm
講題：繽紛女聲．跨域對話
地點：輔仁藝廊 (天主教輔仁大學 藝術學院一樓)
新北市新莊區中正路510號
參展藝術家：
艾里森．貝雀兒 (舊金山)
邱瀞瑩 (台灣)
瑪莉．古德里奇 (夏威夷大島)
徐薇蕙 (台灣)
郭靜潔 (馬來西亞)
李依樺 (台灣)
楚璐滴．席耶蔓 (夏威夷大島)
萬一一 (台灣)
王禾璧 (香港)
楊志妙 (台灣)
策展人：萬一一
結合台灣、香港、馬來西亞、美國等十位女性藝術家，以攝影媒材：傳統暗房紙基銀鹽相紙、或數位輸出藝術紙，表現類型：實驗攝影、直接攝影、或編導式攝影，內容有肖像、人體、風景、紀實、美術攝影，藉由裱褙裝框、手工書籍展開頁、互動裝置；表達每一位個體所關注的議題：性別文化差異的體現、幸福的想像與實踐、角色扮演與時空置換、神話與環保議題偶遇、以及女性成長的故事。呈現具獨創性又豐富的多元面貌。
艾里森．貝雀兒Alyson
BELCHER將庫存的拍立得底片進行針孔攝影自拍照最後巡禮，持續有模糊的身影與律動，也隱含了酷兒文化的優雅展現。瑪莉．古德里奇Mary
GOODRICH以一系列身體感官展現的鋪陳，做為一種情慾歡愉解放的策略。楚璐滴．席耶蔓Trudee
SIEMANN懸掛的肚臍與地上的腳印，將吸引觀者踏上去比對，十足展現身分認同與性別文化差異的互動關係。
王禾璧創作余氏家庭照，特意找些藝術家朋友及向香港話劇團租借1930年代的衣服拍攝，造就了老靈魂與新思惟並置的超時空景象。楊志妙邀請曾就讀於全台女子首學堂的淡水婦女，齊聚台灣首座女性文化地標留影紀念，拉開序曲後並進行個別訪談，長期記錄這些年逾九十的地方新女性。
李依樺的《美好計畫》聚焦在以互動編導手法，透過攝影與文字並置，再造虛實交錯的理想情境，渺小的個人願望也意味著世界持續運轉中的正面能量。邱瀞瑩《好孕．好運》系列呈現攝影師與準爸媽默契十足的互動關係，她正以更溫潤的筆調，書寫著生命中幸福美滿的篇章。
郭靜潔的《突伽之歌》起源於經歷了一次的流產和離婚後，從法國回到馬來西亞的家人身邊。受印度導演薩雅吉雷的“大路之歌”之啓示，突伽的角色在逆境中，總是抱著希望。藝術家從自身出發的女性觀點，見證了從感傷中淨化的創作之道。
萬一一在大自然中找尋佩蕾的身軀，被熔岩的魔幻形體與斑斕色彩所吸引之外，從而也印證著女人是在 “神話詩意的（mythopoetic）踰越的歷史與政治起源上畫畫”。傳說中佩蕾的詛咒：遊客拿走石頭會帶來厄運，其實是愛鄉愛土人士的好點子。火山女神發怒後帶動了觀光財，大島也持續擴大中，好個正面能量！
繽紛女聲散播了初步的解放，也是感官的凝聚，如同徐薇蕙的游擊女孩，正在大步踏上某種未來的自由；透過探索的勇氣，在這個以往可能不被看見的社會裏，她們持續以創作的姿態活著，積極參與，並進一步施展跨域對話的可能。
展覽洽詢886-2-29052337‧29053247
蕭秘書
贊助單位：國家文化藝術基金會
協辦單位：天主教輔仁大學藝術學院
Women’s Voices-International Photography Exhibition 2014
Dates：2014/5/5~2014/5/22
8:00am~17:00pm (M-F)
Opening Reception：2014/5/6(T) 18:40pm
Lecture：2014/5/6(二)
19:30pm
Topic：Women's
voices．Dialogue
of Crossing Borders
Venue：FU JEN ART GALLERY,
College of Arts, Fu Jen Catholic University
No.510, Zhongzheng Rd., Xinzhuang Dist., New Taipei City
Artists：
Alyson BELCHER (San
Francisco)
CHIU Ching Ying (Taiwan)
Mary GOODRICH (Hawaii
Island)
HSU Wei-Hui (Taiwan)
Minstrel KUIK Ching Chieh (Malaysia)
I-Hua LEE (Taiwan)
Trudee SIEMANN (Hawaii
Island)
WAN YiYi (Taiwan)
WONG Wo Bik (Hong Kong)
YANG Chih-Miao (Taiwan)
Curator：WAN
YiYi
The exhibition includes ten women artists from Taiwan,
Hong Kong, Malaysia, and the United States. The photography media include
gelatin silver print and digital print on fine art paper. The categories of
photographic form include experimental photography, straight photography, and
manipulated photography. The content is combined of portraiture, human figure,
landscape, documentary, and fine art photography. With framing, handmade book,
interactive installation; the women artists express their issues of concern:
gender and cultural differences, imagination and practice of happiness,
role-playing and temporal displacement, myth encounters with environmental
issues, as well as the growth of women's stories. The exhibition presents a
diverse style and rich originality.
Alyson BELCHER made use of her inventory of Polaroid
negatives with pinhole camera to create the last series of self-portraits. The series of work is characterized
by continued shadowy figure and movement. Meanwhile, it also implies
the elegance of queer culture. Mary GOODRICH presents a series of physical senses as a
strategy of liberation for erotic joy. With hanging navel and footprints on the
ground, Trudee SIEMANN attracts viewers
to embark and compare,
which fully demonstrates the interaction between identity and gender
differences.
Wo Bik
WONG’s photos of the Yu
family presents a scene beyond time and space with 1930’s costume rented from the Hong Kong
Repertory Theatre, creating the coexistence of old soul and new
set of thinking.
YANG Chih-Miao invited women
who attended the first women’s school in Taiwan
from Tamsui to gather and take pictures
at Taiwan's first female cultural landmark. After the group photo, she did individual
interviews to record the brilliant lives of the local women
who are over 90 years old.
I-Hua LEE’s " The Wonderful Project " focuses on
an interactive directing approach,
through photography and text juxtaposition, staggered re-ideal situation the
actual situation, the individual small
world indeed fortunate
also means continuous operation of positive energy. CHIU
Ching Ying "Good Pregnancy. Good Luck "series presents the
interaction between the photographer and the prospective parents full understanding, she is a more gentle tone,
writing a happy chapter in life.
Minstrel Ching Chieh KUIK's "SONG TO DURGA" originated
from her experience of abortion and divorce. She returned to her family in
Malaysia from France after the abortion and divorce. Inspiration by Indian director Satyajit Ray’s " Song Of The Little Road",
the role DURGA is always hopeful even in adversity. From sentimentality to purification, the woman
artist witnessed the way to
create in her own point of view.
WAN YIYI seeks the trace of Madame
Pele in nature. Besides being attracted
by the magical outlook and variegation
of lava, YIYI also confirmed that woman was “insurmountably drawing on historical and political origins of mythopoetic." The legendary curse of Madame Pele, that tourists will have bad luck if they take away any stone,
is in fact an environment protector’s strategy to rescue nature. The angry volcano
Goddess triggered tourism and the Big
Island has since then continued to expand. What a positive energy!
Women's Voices-International Photography Exhibition
not only spreads a preliminary emancipation, but also implies the cohesion
of the sense. The guerrilla girls in
HSU Wei-Hui’s work are courageously stepping towards their
future freedom. Through exploration, they continue
to live in a creative
attitude, actively participating and opening a cross-border dialogue.
Contact 886-2-29052337‧29053247
Ms. Hsiao
Sponsor：National
Culture and Arts Foundation
Co-organizer：Fu
Jen Catholic University
